Posts From Author: Blog
ReadEasy, 16 February 2015
A new feature for 2015, ReadEasy is a weekly boat trip up the crazy river of the internet. How do YOU celebrate Friday the 13th? I always eat a live chihuahua. How about you?— R.L. Stine (@RL_Stine) February 13, 2015 …and if you enjoyed that: R.L. Stine joins our fabulous line-up for No Return on March 9 at City Winery! Also appearing will be author and journalist Ben Yagoda, playwright Sarah Ruhl, poet A.E. Stallings, and Colbert Report and SNL writer Meredith Scardino. Buy tickets now! Katherine Heiny on Ira Levin… “Ira Levin is subtle in the way a vodka Collins is subtle,” says Heiny in The Atlantic: “you’re innocently going along, thinking wow, this a light refreshing drink and the next thing you know, you wake up in bed with the pizza delivery guy and no idea where your clothes are.” Rereading The Stepford Wives (1972), Heiny offers an appreciation of Levin’s uncanny drip-feed approach to narrative detail, rewarding both the observant and the repeat reader. “These details need to be subtle enough that the reader risks missing them — because life rarely hits us over the head — but they should also contain great significance for someone who’s looking or listening closely.” Some of these can be direct borrowings from life: “I remember a […]
Read MoreRunnin’ Wild: The House of SpeakEasy Inaugurates Year 2
Undeterred by the Snowpocalypse-that-in-any-case-wasn’t, crowds flocked to City Winery on January 28 to celebrate the House of SpeakEasy‘s first birthday and bless its second year of existence. It was a star-studded affair: Uma Thurman was there; Dan Stevens; the amazing staff of Barnes & Noble Union Square… and that was just in the audience. SpeakEasy founders Amanda Foreman and Lucas Wittmann emceed the evening’s proceedings and introduced SpeakEasy novices to the organization’s mission and programs. These include SpeakFreely, an already active program which enables teachers and their students to attend our Seriously Entertaining shows at City Winery; SpeakTogether, which aims to place writers in educational settings where they can share ideas with students, particularly those with little or no usual access to such experiences; and SpeakUp, currently in development, which is hoping to introduce good books and their writers into neighborhoods with few or no bookstores. Simon Doonan was our first speaker of the evening. Barneys New York’s Creative Ambassador and a writer and speaker of significant distinction, Simon has published several books including Gay Men Don’t Get Fat (2012), and his most recent, The Asylum: True Tales of Madness From a Life in Fashion (2014). He shared with us […]
Read MoreReadEasy, 9 February 2015
A new feature for 2015, in ReadEasy we search the book stacks of the internet so you don’t have to. Just looked up THE FIRST BAD MAN on Amazon. It has 10 five star reviews and 10 one star reviews. Will check back in a few mos 2 see who won.— Miranda July (@Miranda_July) February 6, 2015 Hey! Buy tickets for our next show, No Return, here. It’s on March 9 at City Winery NYC, and will feature the talents of author and journalist Ben Yagoda, playwright Sarah Ruhl, poet A.E. Stallings, best-selling horror author R.L. Stine, and Colbert Report and SNL writer Meredith Scardino. Darryl Pinckney on Selma… In this week’s New York Review of Books, Darryl Pinckney puts Selma, Ava DuVernay’s new movie about the voting rights marches in Alabama in 1965, led by Martin Luther King, Jr., to the historical-critical test. How much is really factual? Pinckney examines King’s relationship with President Johnson (read also The New Yorker‘s Amy Davidson on why Selma is “more than fair to LBJ”), and fleshes out some of the movie’s minor characters, whose screen time inevitably elides their contribution to history. Most telling, though, are the passages on Dr. King’s infidelities. […]
Read MoreReviews: The Unspeakable; Amnesia
The Unspeakable and Other Subjects of Discussion by Meghan Daum Farrar, Straus and Giroux, 2014; 256pp In “Matricide” Meghan Daum describes, in black-glass prose, an extraordinary cycle of horror. It begins with the death of her grandmother, continues with the passing — within a year — of her mother, almost culminates in her own demise through freak infection, and ends with a miscarriage. But this is by no means a misery diary. Rather, as she will throughout this excellent collection, Daum eschews propriety in pursuit of honesty, integrity… and black humor. This quite brilliant essay is really about a species of matrilineal distaste that many readers will surely recognize, even if few would admit it. Daum writes of the day her mother began “to self-define as a theater person” and her reaction (“allergic… on every level”) to the phoniness that followed. She tells of her mother’s spiteful outbursts at her father on hearing she has gallbladder cancer (“‘He’s happy,’ she hissed.”) And from the first sentences, she sets about destroying the clichés that surround death literature: People who weren’t there like to say that my mother died at home surrounded by her loving family. This is technically true, though it […]
Read MoreReadEasy, 2 February 2015
A new feature for 2015, ReadEasy is us foraging through the underbrush of the World Wide Web so you don’t have to. I'm working on my cabaret act, which is me just singing songs from Warner Brothers cartoons passionately in order to annoy my kids.— Elizabeth McCracken (@elizmccracken) January 31, 2015 Katy Steinmetz on the power of words… Perhaps you read transgender teen Leelah Alcorn‘s suicide note recently. A horrifying jolt to many of its readers, Leelah’s call for a “fix” for society found sympathetic ears on the internet tragically too late for its author. Perhaps not coincidentally, President Obama just became the first president of the United States to use the word “transgender” in a State of the Union address (see context, right). As Katy Steinmetz writes in TIME, “The issues of validity and legitimacy are huge ones for transgender people.” The significance of even such a casual reference as this, she argues — the power of a single usage — could prove immeasurable. “To have Obama offer up recognition using the word that the community itself uses — rather than circling the issue with some vague phrase like ‘regardless of how someone identifies’ — is him implying that […]
Read MoreCurtain Call: Runnin’ Wild
The House of SpeakEasy will set the cat amongst the pigeons tonight at its second annual gala, Runnin’ Wild. Below, a video collage of our splenderific guests by way of introduction. Jim Dale is a Tony Award-winning actor, playwright, voice artist, and much more. He is the voice of the Harry Potter audiobooks in the States, the star of eleven films in Britain’s classic Carry On series, and a highly acclaimed Broadway star of both musicals and dramas. His one-man show Just Jim Dale is set to transfer to London’s West End in May. Read our interview with Jim about his seven decades in showbiz, and check out his 1966 hit song “Georgy Girl,” as performed by The Seekers, for which he was nominated for an Academy Award. Simon Doonan is the Creative Ambassador for Barneys New York, and the writer of several hilarious fashion books and memoirs. Read our review of his latest, The Asylum: True Tales of Madness From a Life in Fashion, which comes out in paperback from Blue Rider Press next month. In this video, Simon talks about the time he was invited to design the holiday decorations for the White House during the first Obama […]
Read MoreReadEasy, 26 January 2015
A new feature for 2015, ReadEasy is your regular scrapbook of peculiarisms, thoughts, and entertainment from the World Wide Web. I love Twitter the most during events like #sotu -- it was so lonely before this, listening in the void.— Susan Orlean (@susanorlean) January 21, 2015 Björk‘s Vulnicura was released on iTunes two months early last week after leaking online, and music critics, many approaching rapture, have risen nobly to the challenge of describing this dense, intense new album. Ann Powers over at NPR, in an excellent essay on Vulnicura‘s relationship with melodrama, closes in on Björk’s singing of the word emotional: “Climbing it like one of the cliffs she often evokes in her pastoral lyrics, she lets it open up like a vista on its central, circulatory ‘o.’ The word becomes a Valkyrie’s cry, a statement of purpose both sacred and humanly thrilling.” Jon Pareles in The New York Times: “[The songs] linger in dissonance and ambiguous tonality… The physicality of Björk’s voice and the strings are even more striking against the impersonal electronic sounds, all the better to reveal the interior landscape of heartbreak and healing.” Coup of the week, though, goes to Jessica Hopper at Pitchfork, whose […]
Read MoreJim Dale on Harry Potter, Carry On, and His Return to the West End
Jim Dale is a showman of the old school; a true renaissance performer. He’s won a Tony, two Grammys, and four Drama Desk Awards. He’s received countless other nominations, including an Academy Award nod for the song “Georgy Girl,” later a huge hit for The Seekers, back in 1966. He’s been a pop star, a radio DJ, an actor of stage and screen, a voice artist, a playwright, a producer, a stand-up comedian, and many other things besides. Your smaller relatives will recognise him instantly as the voice of the American Harry Potter audiobooks. New Yorkers will remember his performances in Barnum (for which he won the Tony), The Threepenny Opera, Me and My Girl, Candide, and A Day in the Death of Joe Egg. The Brits among you will be familiar with his eleven-film run in the Carry On series of comedies. When I spoke to Jim last week, it had just been announced that his one-man show, Just Jim Dale, which played to excellent reviews for the Roundabout Theatre Company on Broadway last year, will transfer to London’s West End in May. Charles Arrowsmith: Many congratulations on the forthcoming West End transfer! What are you looking forward to […]
Read MoreStephen Lang: An Actor Prepares
Stephen Lang is an actor and a playwright and probably a very familiar face. You’re most likely one of the hundred million or so people who saw him as Colonel Miles Quaritch in Avatar (2009). You’re rarer, and luckier, if you saw him opposite Dustin Hoffman on Broadway in Death of a Salesman (1984) at the start of his career. Maybe you caught him on tour with his one-man show, Beyond Glory, which has been staged sporadically, including a successful Off-Broadway run, for nearly a decade now. Perhaps best known for his military-style roles in films and TV projects like The Men Who Stare At Goats (above, deadpan, hilarious) or the historical epics Gettysburg (1993) or Gods and Generals (2003), Lang is a highly talented and versatile actor with a filmography that includes Manhunter (1986) and Tombstone (1993), and the TV series The Fugitive and Salem. I spoke to Stephen this week about the forthcoming Avatar sequels, the metaphysics of performance, and writing his own show. Charles Arrowsmith: A number of your best-known roles have seen you play military men, and your play Beyond Glory was a tribute to the valor of the US armed forces. For you, what sort […]
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