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Phineas and Ferb… and Dan Povenmire

http://youtu.be/w2nVcuwF_0A There’s a hundred and four days of summer vacation And school comes along just to end it So the annual problem for our generation Is finding a good way to spend it… So begins every episode of the Disney Channel’s smash hit Phineas and Ferb, which since 2007 has entertained millions of children worldwide. Four seasons, a TV movie, and crossover specials featuring characters from Marvel Comics and Star Wars later, it’s the channel’s longest-running original series. It has a large and devoted following among adults as well as kids — its guest stars over the years have included Malcolm McDowell, Damian Lewis, Sandra Oh, Allison Janney, Ben Stiller, and, surreally, most of the principal cast of The Rocky Horror Picture Show. Jake Gyllenhaal and Chaka Khan are fans. Its creators, Jeff “Swampy” Marsh and Dan Povenmire, pitched and re-pitched the show for sixteen years before it was finally picked up; their confidence was evidently well placed. So who are Phineas and Ferb? Phineas Flynn is a tenacious, loquacious, enterprising, triangle-headed little American boy whose mission in life is to ensure that things are never dull. Ferb Fletcher is his rectangle-headed British half-brother (voiced by Thomas Sangster, whom you may remember […]

Love in the Time of Genocide

The Zone of Interest by Martin Amis NY: Alfred A. Knopf, 2014; 320pp …how did “a sleepy country of poets and dreamers,” and the most highly educated nation the earth had ever seen, how did it yield to such wild, such fantastic disgrace? What made its people, men and women, consent to having their souls raped — and raped by a eunuch (Grofaz: the virgin Priapus, the teetotal Dionysus, the vegetarian Tyrannosaurus rex)? Where did it come from, the need for such a methodical, such a pedantic, and such a literal exploration of the bestial? These are the questions that orbit the singularity at the center of twentieth-century history. In his second Holocaust novel, The Zone of Interest, Martin Amis sketches a few possible answers while acknowledging — in a thoughtful afterword — that we nevertheless “know almost nothing about the why.” In Time’s Arrow (1991), his first foray into this particular zone of interest, the Holocaust is glimpsed obliquely — like the Medusa reflected in Perseus’s shield — through the lens of Amis’s formal fireworks. The action happens in reverse: people spring to life and are packed on trains that take them away from concentration camps; relationships begin with rows and end […]

Master Your Mind with Ruby Wax

Sane New World: A User’s Guide to the Normal-Crazy Mind by Ruby Wax NY: Perigee Trade, 2014; 256pp Mindfulness seems to be less a case of mind over matter than mind over emotion. In this entertaining introduction to neuroplasticity, mental illness, and coping with the tricky business of being, Ruby Wax outlines the potential benefits of employing a mindfulness-based approach to life. The Sane New World of the title is the other side of mental illness, the world beyond what can seem insurmountable to the one in four of us who live with recurring emotional difficulties. The secret? You can change your mind. Sane New World is both self-help and a personal account of life with mental illness. Wax is an American comedian who’s had a prolific career in the UK as a stand-up, script editor (for Absolutely Fabulous), interviewer (check out her program on O.J. Simpson) and TV personality. But as she points out in the early pages of her book, her busyness may not have been an entirely good thing. “You could say that multitasking has driven us mad,” she writes; “like having too many windows open on your computer, eventually it will crash.” The need to be so busy is a symptom of […]

A Year in Tehran

The Ministry of Guidance Invites You to Not Stay: An American Family in Iran by Hooman Majd NY: Anchor Books, 2014; 272pp “I advise you not to hang around the Americans very much.” This friendly advice, given to the author and journalist Hooman Majd by a doorman at a hotel in Tehran, while he is travelling with a CNN crew, in some ways typifies his experience at the hands of Iranian officialdom. In The Ministry of Guidance Invites You to Not Stay: An American Family in Iran, Majd chronicles the year he recently spent with his (American) wife and baby son living in his motherland. It was the year of what Majd calls Mahmoud Ahmadinejad’s “big sulk;” the Occupy movement; the main events of the Arab Spring. At a fraught political juncture, there is perhaps inevitably a strong Kafkaesque flavor to much of Majd and his friends’ interactions with the police and the government. But while this excellent, concise work of social commentary doesn’t shy away from politics, its fascination and pleasure lie just as much in its gentle revelation of everyday life in Iran. Nostalgia, an insoluble emotion at the best of times, ghosts both what has been and what […]

Review: The Children Act by Ian McEwan

The Children Act (Nan A. Talese, 2014) is a short novel, and this is, says writer Ian McEwan, a good thing: If we can make this fine distinction, it’s a short novel rather than a novella. But I do love this form. The idea of sitting down to a book that you could read in one sitting, or within three hours, much as you might go to a movie or an opera or a long play… You’ve got to establish characters very quickly, there’s room for one or two sub-plots. It’s a form I adore. — Ian McEwan on BBC Radio 4’s Today [listen here] At two hundred and twenty-one generously spaced pages, his thirteenth novel certainly fits the bill. But what The Children Act lacks in word count, it makes up for in the efficiency of its style and execution. McEwan’s protagonists have always known too little and too much. The precocious Briony Tallis, in Atonement, second-guesses rape where there’s none. Saturday‘s Henry Perowne is doubly fated by his understanding of his assailant’s Huntington’s disease. The plot of Enduring Love hangs on misunderstanding and uncertainty. In each of these books, as in The Children Act, what concerns McEwan is a kind of epistemology of “the instant.” Moments of […]

Roberto Bolaño’s Expanding Universe

The first English translation of one of Roberto Bolaño’s novels was published in 2003, the same year he died, at the age of fifty, of liver failure. Susan Sontag was his anglophone herald, referring to him, in her notes on By Night in Chile, as “the most influential and admired novelist of his generation in the Spanish-speaking world.” Farrar, Straus and Giroux published The Savage Detectives in a translation by Natasha Wimmer in 2007; it sold 22,000 copies in its first year. 2666, a colossal work unfinished at Bolaño’s death, followed in 2008. As Chris Andrews reports in his new book, “Within days of publication, Farrar, Straus rushed out a second printing, bringing the total to more than 75,000 copies.” These are exceptional figures in the realm of translated fiction, not least as only two or three percent of books published in the US each year began life in other languages. Why Bolaño? Roberto Bolaño’s Fiction: An Expanding Universe (Columbia University Press, 2014) is the work of a person who can perhaps answer that question with greater authority than most. Andrews has translated six novels and four short-story collections by Bolaño, and his close readings of the work are the bedrock of this […]

Inside the Lie

September 29, 2014. As an amber-violet sunset spread across a CinemaScope sky to the west of Manhattan, the House of SpeakEasy returned to City Winery for the inaugural show of its fall season. Almost three hundred guests gathered to listen, to laugh, to share, and to refill their glasses as six writers — Marcelo Gleiser, Natalie Haynes, John Guare, Gary Shteyngart, Gail Sheehy, and Andrew Solomon — took to the stage to ponder this month’s theme, Inside the Lie. This month’s guest stars? Copernicus, RFK, Oedipus, Sophia Loren’s panties, an uncommon family set-up, a Bavarian porn star… We’ll be posting videos from the show soon, but here’s a sneak preview of what went down when the curtain went up… Marcelo Gleiser: “We matter because we are very rare…” Marcelo Gleiser set the scene in 1543 with the death of Copernicus. The Prussian math genius supposedly died with his newly published masterwork, De revolutionibus orbium coelestium, in his hands, horrified by the preface tacked on by Lutheran nay-sayer Andreas Osiander that essentially discredited all that followed. Copernicus’s theory — maybe the sun… doesn’t orbit the earth? — would of course turn the world upside down (pun). But reversing the cosmic order, especially one which […]

Roxane Gay is a Bad Feminist

Reading Roxane Gay‘s Bad Feminist (Harper Perennial, 2014) was a personally instructive experience. As a white, male reader with a pretty fat tire of privilege under my belt, it’s an often-excoriating, albeit hilarious, read. And while I would definitely have preferred it had Gay occasionally used the more contingent “some men” to describe the masculine influence on the cultural evils afflicting women today, I’m nonetheless convinced that the scale of the problem justifies the rhetoric. It’s not like I’m unaware of my own gender parochialism — none of this is news to me. But I sure am now questioning why I’m not that little bit, or even TEN TIMES better at checking myself and others on subjects that I know to be important when the moment arises. Instead, most of the time (to my shame) I’m more like the crowd at the Daniel Tosh set in the essay “Some Jokes Are Funnier Than Others,” a crowd that fails to stand up and say, “Enough.” Bad Feminist is an excellent book for lots of reasons. Firstly, Roxane Gay’s really funny. “When I was called a feminist,” she writes of her younger self, “my first thought was, But I willingly give blow jobs… I was called a feminist, […]

Big Success in Little Failure

1979. Coming to America after a childhood spent in the Soviet Union is equivalent to stumbling off a monochromatic cliff and landing in a pool of pure Technicolor. — Gary Shteyngart I’m pleased to report that Gary Shteyngart’s memoir, Little Failure, in no way lives up to its title. Instead, it’s a brilliant, milk-snortingly funny ride from 1970s Leningrad through 1980s Queens to 1990s Ohio and beyond. The humour you might expect from the novelist behind The Russian Debutante’s Handbook (Riverhead, 2002), Absurdistan (Random House, 2006), and Super Sad True Love Story (Random House, 2010) is all present and correct. But that’s not all. Little Failure is also a sad-funny-awkward portrait of Shteyngart’s parents, whose Russian ways and tiny failures of assimilation so acutely embarrass and enrage him while growing up. Returning with them to Russia as an adult toward the end of the book, he makes discoveries about their past, his own prehistory, that shed new light on the rest of the book’s action. Much of Little Failure concerns Gary’s difficult formative years following his emigration in 1979 (he was born in 1972). Debilitating asthma prevents his becoming athletic; in the wake of Reagan’s “evil empire” speech, his Russian-ness alienates him from his Jewish schoolmates at the Solomon Schechter School […]

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