alexandre dumas | House of SpeakEasy NYC

Posts From Author: alexandre dumas

Reading 2014

Being a collection of disordered thoughts on new writing from the last year or so. There were lots of books about books. I enjoyed Rebecca Mead‘s My Life in Middlemarch (Crown Publishing, 2014) and Joanna Rakoff‘s My Salinger Year (Knopf, 2014), which both fused literary criticism and autobiography into what Joyce Carol Oates called, reviewing Mead, “bibliomemoirs.” “The book was reading me, as I was reading it,” wrote Mead of Middlemarch, locating George Eliot’s greatness in her broad imaginative sympathies. Mead’s is a lovely book, mixing biographical detail about Eliot with an introspective analysis of how her work might be read and re-read on the journey through life (review here). Rakoff’s book, meanwhile, is more straightforwardly autobiographical, recounting the author’s first job in publishing, in which she became a sort of gatekeeper for J.D. Salinger. Until then, she’d not read him (“I was not interested in hyper-articulate seven-year-olds who quoted from the Bhagavad Gita”); but before long, she’s hooked. After a century of literary modernism, its central characters continue to haunt the pages of new work. Kevin Jackson‘s Constellation of Genius: 1922 – Modernism Year One (Farrar, Straus and Giroux, 2013) is novelly conceived, taking 1922 day by day, dropping […]

This Is Not A Man

Alexander Pope recited in the style of William Shatner. A French general, born into slavery in Saint-Domingue, locked in a war of attrition with Napoleon Bonaparte. A live link to Hollywood during Oscars week. It could only be the House of SpeakEasy. “This Is Not A Man” delivered another Seriously Entertaining mix of music, comedy, history and literature in the warm embrace of City Winery in SoHo. First out of the gate was Dana Vachon, author of Wall Street satire Mergers & Acquisitions. He kicked off with a couple of thumbnail sketches — “One story that doesn’t work involves my father and a terrorist…” — before setting off on a globe-trotting assignment set by Vanity Fair. It was a tale of data-mining billionaires, early-morning water calisthenics in Singapore, and uber-alpha-male English expats all called Roger MacMillan, topped off with sage words of advice from Don DeLillo. “I asked him what young novelists should be writing about,” said Vachon, “and he said immediately, without hesitation, the destruction of the environment.” The comedian Steve Coogan, who stands to win his first Oscar this weekend for his screenplay for Philomena, spoke to SpeakEasy founder Amanda Foreman via Facetime from Los Angeles. Coogan has enjoyed a phenomenally successful career in comedy, but Philomena is […]

The Real Count of Monte Cristo

“To remember a person is the most important thing in the novels of Alexandre Dumas,” writes Tom Reiss in the opening pages of his Pulitzer Prize-winning biography The Black Count (Crown, 2012). “The worst sin anyone can commit is to forget.” It’s a sin Reiss cannot be accused of, for The Black Count is above all an act of memorial. Alex Dumas’s life will be unfamiliar to most readers, despite the great fame of his novelist son; in this masterful book, he emerges fully formed in his own right. The making of The Black Count is the stuff of literary thrillers: obstructive bureaucrats, locked safes, unpublished letters. Arriving in Villers-Cotterêts, the birthplace of Dumas-novelist, Reiss discovers that the curator of the Musée Alexandre Dumas has died, leaving numerous crucial documents in a locked safe. “I am afraid the situation is most delicate,” says Fabrice Dufour, the town’s deputy mayor. “And most unfortunate.” Reiss wines and dines Dufour, trying to persuade him of the potential historical significance of the documents over which he now has jurisdiction. Eventually he gains limited access, finding “seven or eight feet of battered folders, boxes, parchments, and onionskin documents collected over the years”. According to my agreement with the deputy mayor, I had just […]