Posts From Author: benito mussolini
Between the Crisis and the Catastrophe: Amanda Vaill on the Spanish Civil War
Spain’s war had become an experimental exercise — which will prevail, fascism or socialism? Whose weapons are stronger, Germany’s or Russia’s? — that the rest of the world was watching with interest. This is “a bleak and terrifying epiphany” for Arturo Barea, an aspiring writer working in Madrid as a press censor for the Republicans during the Spanish Civil War. When the conflict began, in 1936, Europe was shifting gears: those loyal to the Republican government found themselves ignored by a nervous Britain and France while the Nationalist insurgents, led by the ruthless General Franco, were being granted fabulous access to new innovations in warfare from Italy and a swiftly rearming Germany. Barea, realising that Spain was viewed internationally as little more than a test run for what was shaping up to be an even bigger conflict, was understandably put out. He’s one of a handful of characters at the centre of Amanda Vaill‘s superb close-up study of the conflict, Hotel Florida: Truth, Love, and Death in the Spanish Civil War (Farrar, Straus and Giroux, 2014), and although of Vaill’s six protagonists he’s the only Spaniard, it’s his heart that the book’s beats in time with. His confreres on the frontline […]
Read More1922 and All That: Kevin Jackson’s Constellation of Genius
Let’s try to imagine the reactions of an unprepared, average reader of 1922, content with his beer and skittles and his Kipling. Suddenly, enter a skinny, shabby Irishman and a natty, quietly sinister American between them hell-bent on exploding everything that realistic fiction and Georgian poetry held dear. Enter also Pound, Proust, Freud, Hemingway, Kafka, Matisse, Picasso, Stravinsky, Gershwin, Le Corbusier, Chaplin, Buñuel… The cast list of Kevin Jackson’s marvellous journal of a watershed year, Constellation of Genius: 1922 – Modernism Year One, certainly justifies its title. It was a year bookended by the publications of James Joyce’s Ulysses and T.S. Eliot’s The Waste Land, but to isolate the two would be to cut them senselessly adrift and Jackson wisely immerses us instead in context. He moves day by day, noting the major and minor biographical details of his subjects and the principal political events of 1922, from Mussolini’s rise to power to the Irish Civil War. Letters and diaries are ransacked for their contemporary insights. And there are some great one-liners, too (January 20, Iowa: “Christian K. Nelson took out a patent on the Eskimo Pie”). Here are ten things I learned: André Breton helped Proust with the corrections […]
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