Posts From Author: hg wells
In Case of Emergency…
It was a well-travelled audience that left City Winery on Monday night after the House of SpeakEasy’s latest literary cabaret, In Case of Emergency. From Sierra Leone to Delhi via 1930s New York and a near-miss with the Mob went writer-performer-stars Daniel Bergner, Maggie Shipstead, Leonard Lopate, J.D. McClatchy and Amor Towles. It was Seriously Entertaining stuff. Daniel Bergner kicked off with a great tale of magic and medicine in Sierra Leone. Taking up the story of Michael Josiah, who appears in his 2003 book In the Land of Magic Soldiers, Bergner spoke about his “two lives, two minds”. Josiah was always determined to become a doctor, and studied (western) medicine so enthusiastically that he would continue to do so by candlelight long into the night. But when disrupted, as he often was, by the irruption of fighting in Sierra Leone’s civil war, he would join up with the Kamajors, a group of warriors purported to possess magical powers, the potential to cure cancer, and the ability to dodge bullets. Bergner described several occasions when he was invited to watch the Kamajors’ miracles in person. Slathered in a sacred liquid, the soldiers would become apparently impervious to injury. Indeed, Josiah encouraged him […]
Read More1922 and All That: Kevin Jackson’s Constellation of Genius
Let’s try to imagine the reactions of an unprepared, average reader of 1922, content with his beer and skittles and his Kipling. Suddenly, enter a skinny, shabby Irishman and a natty, quietly sinister American between them hell-bent on exploding everything that realistic fiction and Georgian poetry held dear. Enter also Pound, Proust, Freud, Hemingway, Kafka, Matisse, Picasso, Stravinsky, Gershwin, Le Corbusier, Chaplin, Buñuel… The cast list of Kevin Jackson’s marvellous journal of a watershed year, Constellation of Genius: 1922 – Modernism Year One, certainly justifies its title. It was a year bookended by the publications of James Joyce’s Ulysses and T.S. Eliot’s The Waste Land, but to isolate the two would be to cut them senselessly adrift and Jackson wisely immerses us instead in context. He moves day by day, noting the major and minor biographical details of his subjects and the principal political events of 1922, from Mussolini’s rise to power to the Irish Civil War. Letters and diaries are ransacked for their contemporary insights. And there are some great one-liners, too (January 20, Iowa: “Christian K. Nelson took out a patent on the Eskimo Pie”). Here are ten things I learned: André Breton helped Proust with the corrections […]
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