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Posts From Author: the new yorker

Some Men Achieve Greatness

Whiplash directed by Damien Chazelle Sony Classics, 2014; 107 minutes A violent game of fuck-you one-upmanship, Whiplash is one of the best American movies of the year. In the red corner is Miles Teller’s Andrew Neiman, a nineteen-year-old jazz drummer with ambitions of greatness. In the blue is Terence Fletcher (J.K. Simmons), a teacher in the R. Lee Ermey mold. Their antagonism plays out in the practice rooms at Shaffer Conservatory, where Fletcher teaches and Andrew is in his first year. Simmons, dressed all in black (the uniform of the jazz savant), is a true teacher-terrorist. He spits racial and homophobic slurs, takes his musicians apart over undetectable shifts in rhythm or speed. He dismisses one trombonist simply because the boy does not know — or is too frightened to say — if he’s slightly out of tune. (He isn’t, but the crime of ignorance is sufficient for Fletcher to cast him out.) He’s exacting but impossible to please because he seems to believe that only a moving target can draw greatness from his players. From their first meeting on, Andrew wants nothing more than to impress him. Andrew’s approach to musical improvement seems to be based on the so-called […]

A Year in Tehran

The Ministry of Guidance Invites You to Not Stay: An American Family in Iran by Hooman Majd NY: Anchor Books, 2014; 272pp “I advise you not to hang around the Americans very much.” This friendly advice, given to the author and journalist Hooman Majd by a doorman at a hotel in Tehran, while he is travelling with a CNN crew, in some ways typifies his experience at the hands of Iranian officialdom. In The Ministry of Guidance Invites You to Not Stay: An American Family in Iran, Majd chronicles the year he recently spent with his (American) wife and baby son living in his motherland. It was the year of what Majd calls Mahmoud Ahmadinejad’s “big sulk;” the Occupy movement; the main events of the Arab Spring. At a fraught political juncture, there is perhaps inevitably a strong Kafkaesque flavor to much of Majd and his friends’ interactions with the police and the government. But while this excellent, concise work of social commentary doesn’t shy away from politics, its fascination and pleasure lie just as much in its gentle revelation of everyday life in Iran. Nostalgia, an insoluble emotion at the best of times, ghosts both what has been and what […]

Middlemarch Revisited: Rebecca Mead on the Life of a Classic

It’s funny that Middlemarch, a place name that could scarcely sound more English, should be without lexical precedent in the maps of its homeland. As Rebecca Mead informs us in her lovely book My Life in Middlemarch (Crown Publishing, 2014), there aren’t any other towns in England suffixed “-march.” Yet its cadence is perfect (particularly to Midlands ears like my own). “It implies that the book,” says Mead, “with its subtitle, ‘A Study of Provincial Life,’ will be concerned with that which is absolutely pedestrian and ordinary. Provincialism — geographical, emotional — will be at its heart.” What’s not pedestrian is Mead’s rather wonderful book on the subject. Mixing biography and autobiography, literary criticism and social history, she arrives at something that, in the end, approaches the profundity of Middlemarch‘s own famous final lines. At the heart of Mead’s Life is a notion of existence, at its best, as an ever-enlarging sphere of sympathy. Prized above all is the capacity, acquired through time and imagination, to appreciate that while “we each have our own center of gravity,” yet “others weigh the world differently than we do […] The necessity of growing out of such self-centeredness is the theme of Middlemarch.” Often, as she retraces Eliot’s […]

Do The Movies Have A Future?

“Is the theater really dead?” asked Simon & Garfunkel once upon a time. Forty-five years later, and at the height of the movies’ annual silly season, one might well ask the same of the cinema. Whither the great American movie? Whither directors of integrity and vision? Whither criticism? These are the questions David Denby poses in his excellent collection Do The Movies Have A Future? (Simon & Schuster, 2012). It’s mostly reprints of his New Yorker articles but reworked and reordered to orbit his central worries. These include so-called “conglomerate aesthetics”, the notion that it’s “not only possibly but increasingly easy to attract audiences by making movies badly”, the loss of lyricism in the rise of digital cinema, and a decline in ethical seriousness in criticism. Sound grim? Worry not: Denby’s no wallower. Alongside sharp critiques of the movie industry as it currently stands are a series of lucid, sometimes rapturous readings of a selection of the greatest recent American movies, including Capote, The Tree of Life, Winter’s Bone, The Social Network, and (to my mind the best) There Will Be Blood. In the book’s final pages, we even find Denby an unlikely advocate for 2011’s Rise of the Planet of the Apes. This isn’t stuffy stuff; Denby […]

Curtain Call: Falling For Perfection

How far we’ve come. The House of SpeakEasy opened its doors on a snowy January night with a guest list including Uma Thurman, Andy Borowitz and Susan Orlean. Since then, we’ve featured some thirty of the best and brightest writers in the literary firmament. Tonight, two days after the summer solstice, and with temperatures firmly lodged in the eighties, we’re delighted to feature a super-cool guest list for our season finale. The Daily Show‘s Elliott Kalan, the New Yorker‘s Bob Mankoff, maestro Christopher Mason, poet Jeffrey McDaniel, polymath playwright and novelist Adam Rapp, Barnard College president and writer Debora Spar, and novelist Emma Straub will all take the mic to tackle the pleasures and pitfalls of Falling For Perfection. We’re delighted to introduce them to you… Elliott Kalan has been the head writer at The Daily Show with Jon Stewart since he took over from Tim Carvell in January. “Writing for Jon Stewart… is the number-one job in the world,” he says, and it’s easy to see why. In this presentation sponsored by the Eagleton Institute of Politics, Elliott analyses the use of humour in politics: Bob Mankoff is the cartoon editor at the New Yorker. He recently published an excellent memoir, How About Never — Is Never Good For You?: My Life […]

Elliott Kalan Has To Be Funny Every Day

Do you watch The Daily Show with Jon Stewart? We watch The Daily Show with Jon Stewart. Do you know who Elliott Kalan is? If not, listen up, hotshot, because Elliott is the head writer on The Daily Show! Jealous? Well, as he told Splitsider.com, “to be completely clear, objectively nothing is cooler than what I’m doing right now”. So you’re right to be. Elliott’s been in the chair since January this year, when he took over from Tim Carvell, who’d gone off to run John Oliver’s new show, Last Week Tonight (a weeklier version of the nightly news, as the ads say). He’s been working on The Daily Show for over a decade, starting as an intern in 2003. (That’s right, fellas: there’s hope! Read this great interview with Co.Create to find out Elliott’s tips for your meteoric rise…) He later became a production assistant, a segment producer, a writer… and now, head writer. Which, by and large, means that he has to be funny every day. And, presumably exponentially more difficult, make sure everyone else is funny every day. No mean feat. On the side, he’s one third of the movie-reviewing trio The Flop House (“a great listen for movie fans“, according to the New York […]

“How About Never – Is Never Good For You?” Bob Mankoff on the Joy of Cartoons

If you don’t know Bob Mankoff, reading his memoir, How About Never — Is Never Good For You?: My Life in Cartoons (Henry Holt, 2014), will be a glorious case of friends-at-first-sight. That’s his cheery cartoon self beaming out from the front cover there, and he’s welcoming you to the wittiest party in town: the world of the New Yorker‘s cartoon department. Inside, there’s space for aspiring cartoonists to add their name to the list of dedicatees (a roll-call of every artist ever published in the magazine), while the flap copy promises “732 FOOLPROOF SECRETS TO WINNING THE NEW YORKER CAPTION CONTEST!” It’d be crazy to forgo such hospitality. And as a cartoonist who’s overseen the publication of fourteen thousand New Yorker cartoons — and contributed more than nine hundred — Mankoff is very well placed to show us what he calls “the soup-to-nuts process of cartoon creation, selection, editing, and publishing”. Although billed as a memoir, How About Never is as much a tribute to the art and practitioners of cartooning, and Mankoff devotes generous space to the words and pictures of his colleagues. Raised in the Bronx and Queens, Bob is the son of Mollie and Lou Mankoff, who sound a bit like a nicer version […]

Curtain Call: The Ink Runs Dry

What happens when The Ink Runs Dry? Fortunately, the House of SpeakEasy has a talking cure. We’re delighted to welcome Jonathan Alter, David Gilbert, Christopher Mason, Jay Parini and Amanda Vaill to City Winery for another Seriously Entertaining literary cabaret, taking in tortured geniuses, presidential candidates, messiahs and more. Read on, dear friends, to meet this month’s line-up. Jonathan Alter is an award-winning author, reporter, columnist, and television analyst. A veteran of nine presidential elections, his latest work has dissected the Obama White House, first in The Promise: President Obama, Year One (2010) and most recently in The Center Holds: Obama and His Enemies (2013), which we reviewed here. His other books include The Defining Moment: FDR’s Hundred Days and the Triumph of Hope (2007). Here Alter talks to the Washington Post about The Center Holds. “He’s very clear about needing to be president of all the people, and not the president of Black America. But he doesn’t like to talk about that too much in public… Because he’s African-American, the president can’t swing at every pitch that he wants to. Otherwise he plays into the hands of his enemies…” David Gilbert is the author of two novels, The Normals (2004) and & Sons (2013). The latter, a […]

Manhattan Follies: Amor Towles’s Rules of Civility

“It is a lovely oddity of human nature,” observes our heroine, Katey Kontent, “that a person is more inclined to interrupt two people in conversation than one person alone with a book, even if it is a foolish romance.” Commuting readers of Amor Towles’s debut novel, Rules of Civility, will certainly find themselves grateful for this lovely oddity as they immerse themselves in Katey’s world. The story, which concerns the good and not-so-good decisions made by Katey and her friends over the course of a single year (1938), is told from the perspective of her older self. Her memory is stirred by “Many Are Called”, an exhibition of photos Walker Evans surreptitiously took of regular Americans on the subway during the 1930s. In it, she sees two photos of a man she had known briefly very well, Tinker Grey, but had fallen out of touch with. The photos take her right back to the last day of 1937, when she and her friend Eve Ross first set eyes on Tinker… The Rules of Civility are the hundred and ten precepts a young George Washington jotted down in a writing exercise as a schoolboy in Virginia (see the full list here). […]

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