will smith | House of SpeakEasy NYC

Posts From Author: will smith

WRITERS AND STORYTELLING: Torrey Maldonado

New York City’s current and former Chancellors have praised Torrey Maldonado as a top teacher and author. He has taught for over twenty years in his Brooklyn childhood hometown. His middle-grade titles include Tight, which won a Christopher Award and was named a Washington Post and NPR best book of the year, Secret Saturdays, and, most recently, What Lane?. Growing up, Torrey hated books because “they were boring or seemed to hate or dismiss people where I’m from.” Culturally responsive books and educators inspired him to teach and write. Voted a Top Latino Author and best Middle Grade and Young Adult novelist for African Americans, his work reflects his and students’ experiences and is praised for its current feel, realness, and universal themes. How has the current state of things impacted your writing life? Listen, this pandemic has had a HUGE impact on my writing. Before, if an interviewer asked, “Where do you write?” I’d answer, “Anywhere”. Now? Now I write in an underground quarantined bunker with a mask on and . . . I’m joking. I don’t write in a mask. I just write in quarantine. And another real fact? The pandemic DID change my writing-life. People appreciate my […]

Six Degrees of John Guare

MERIWETHER [LEWIS] Never give up the enormity of this dream. Keep telling the lie. The United States will always be the last undiscovered terrain — even if we have to move the white spaces inside our head. Always hold out the promise that you can find your passage to the west, to whatever it is — love everlasting, bottomless wealth, glory — JACQUES CORNET Freedom. MERIWETHER That dream must never die. — John Guare, A Free Man of Color, Act 2 These lines, which arrive at the end of one of John Guare’s most recent plays, could be the perfect epigraph for his collected works. Desire for betterment, self-deluding ambition, holding out on a maybe: these unite Guare’s best-known characters, from Artie Shaughnessy in The House of Blue Leaves (1966) and Sally in Atlantic City (1980) to pretty much everyone in Six Degrees of Separation (1990), his most widely performed play. There are plenty of rogues in Guare’s work — con artists, thieves, drug dealers, aspiring terrorists — but they are defined less by their unsavory pursuits than their mastery of self-deception. His is a poetics of delusion. The House of Blue Leaves, which won the Drama Critics’ Circle Award and the Obie for Best American Play […]